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Gegenstand des Buches ist der in den Kulturwissenschaften ebenso verbreitete wie umstrittene Begriff des implied author, der seit seiner Einführung vor einem halben Jahrhundert Anlass für literaturtheoretische Kontroversen gewesen ist. Die ersten Kapitel der Studie untersuchen die Geschichte des Begriffs: die Prägung des Konzepts in Wayne C. Booths Rhetoric of Fiction, die vielstimmige Diskussion in Narratologie, Interpretationstheorie und Interpretationspraxis, und die bekanntesten Konkurrenzkonzepte wie Umberto Ecos Modell-Autor oder Wolfgang Isers impliziten Leser. Das Schlusskapitel widmet sich der Frage, wie mit dem implied author in Zukunft umgegangen werden sollte; im Vordergund steht dabei die Analyse und Evaluation von Vorschlägen der Klärung bzw. Ersetzung des Konzepts im Rahmen intentionalistischer Interpretationstheorien.

Implied author (Rhetoric) --- Implied author (Rhetoric). --- Literary rhetorics --- 82-3 --- 82-3 Proza. Fictie. Narratologie --- Proza. Fictie. Narratologie --- Rhetoric --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Analyse du discours narratif --- Literary theory. --- narration technique. --- narration. --- narratology. --- narrator (in literature). --- Implicite (linguistique)

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The Author's Due offers an institutional and cultural history of books, the book trade, and the bibliographic ego. Joseph Loewenstein traces the emergence of possessive authorship from the establishment of a printing industry in England to the passage of the 1710 Statute of Anne, which provided the legal underpinnings for modern copyright. Along the way he demonstrates that the culture of books, including the idea of the author, is intimately tied to the practical trade of publishing those books. As Loewenstein shows, copyright is a form of monopoly that developed alongside a range of related protections such as commercial trusts, manufacturing patents, and censorship, and cannot be understood apart from them. The regulation of the press pitted competing interests and rival monopolistic structures against one another-guildmembers and nonprofessionals, printers and booksellers, authors and publishers. These struggles, in turn, crucially shaped the literary and intellectual practices of early modern authors, as well as early capitalist economic organization. With its probing look at the origins of modern copyright, The Author's Due will prove to be a watershed for historians, literary critics, and legal scholars alike.

655.4:347.78 --- Authorship --- -Book industries and trade --- -Copyright --- -English literature --- -Intellectual property --- -Printing --- -Printing industry --- -347.78 <09> --- Manufacturing industries --- Printing, Practical --- Typography --- Graphic arts --- Intellectual property --- IP (Intellectual property) --- Proprietary rights --- Rights, Proprietary --- Intangible property --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Copyright --- Literary property --- Property, Literary --- Anti-copyright movement --- Authors and publishers --- Book registration, National --- Patent laws and legislation --- Book trade --- Cultural industries --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Uitgeverij. Boekhandel--algemeen-:-Auteursrecht --- History --- Law and legislation --- -History --- History and criticism --- Auteursrecht--Geschiedenis van ... --- Book industries and trade --- English literature --- Printing industry --- Printing --- History. --- History and criticism. --- Authorship -- History. --- Book industries and trade. --- Book industries and trade -- England -- History. --- Book industries and trade -- Law and legislation -- England -- History. --- Copyright -- England -- History. --- England. --- Intellectual property -- England -- History. --- Law and legislation. --- Printing. --- Printing -- England -- History. --- Printing industry -- Law and legislation -- England -- History. --- Book Studies & Arts --- Education --- Social Sciences --- 347.78 <09> Auteursrecht--Geschiedenis van ... --- 347.78 <09> --- Law and legislation&delete& --- Auteursrecht--Geschiedenis van .. --- Auteursrecht--Geschiedenis van --- printing, copyright, plagiarism, intellectual property, piracy, publishing, literature, law, history, nonfiction, possessive authorship, statute of anne, books, author, capitalism, booksellers, competition, press, regulation, censorship, manufacturing patents, commercial trusts, protection, monopoly, guild structure, book trade, john wolfe, intervention, genius, wise forgeries, reproduction, international, shakespeare. --- Droit d'auteur --- Propriete intellectuelle --- Art d'ecrire --- Litterature anglaise --- Livres --- Imprimerie --- Industries graphiques --- Angleterre --- Histoire --- 1500-1700 --- Histoire et critique --- Industrie et commerce --- Droit --- Legislation

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This book covers the life and work of a wide range of writers from Coleridge to Wollstonecraft, Hemans, Beckford and their contemporaries. Also encompassing a wealth of material on contexts from the treason trials of 1794 to the coming of gas-light to the London stage in 1817, it provides a panorama of one of the richest periods in British culture.

English literature --- Romanticism --- Literature and society --- English --- Languages & Literatures --- English Literature --- History --- Pseudo-romanticism --- Romanticism in literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Aesthetics --- Fiction --- Literary movements --- Fiction. --- Poetry. --- Literature-History and criticism. --- British literature. --- Literature, Modern-18th century. --- Poetry and Poetics. --- Literary History. --- British and Irish Literature. --- Eighteenth-Century Literature. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Philosophy --- Literature—History and criticism. --- Literature, Modern—18th century.

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Leading scholar Albert Russell Ascoli traces the metamorphosis of Dante Alighieri - minor Florentine aristocrat, political activist and exile, amateur philosopher and theologian, and daring experimental poet - into Dante, author of the Divine Comedy and perhaps the most self-consciously 'authoritative' cultural figure in the Western canon. The text offers a comprehensive introduction to Dante's evolving, transformative relationship to medieval ideas of authorship and authority from the early Vita Nuova through the unfinished treatises, The Banquet and On Vernacular Eloquence, to the works of his maturity, Monarchy and the Divine Comedy. Ascoli reveals how Dante anticipates modern notions of personalized, creative authorship and the phenomenon of 'Renaissance self-fashioning'. Unusually, the book examines Dante's career as a whole offering an important point of access not only to the Dantean oeuvre, but also to the history and theory of authorship in the larger Italian and European tradition.

Dante Alighieri --- Dante Alighieri, --- Authorship. --- Criticism and interpretation. --- Authors, Classical. --- Classical authors --- Alighieri, Dante --- Dante, Alighieri --- Alih'eri, Dante --- Alihii︠e︡ri, Dante, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Allighieri, Dante, --- Aligerius, Dantes, --- Aligheri, Dante, --- Alighieri, Dante, --- Alleghieri, Dante, --- Durante Alighieri, --- Tan-ting, --- Danding, --- Dāntī Alījyīrī, --- Alīyīrī, Dāntī, --- Dante Alih'i︠e︡ri, --- Dante, --- Dant Aligīeri, --- Aligīeri, Dant, --- Dantte, --- Tantte, --- Dantis Alagherius, --- Danthe Alighieri, --- Alighieri, Danthe, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- Ailígiéirí, Dainté, --- Dantė Aligjeris, --- Dānté ʼAligiyéri, --- Makākavi Tāntē, --- Tāntē Alikiyari, --- Alikiyari, Tāntē, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері, --- Arts and Humanities --- Literature

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Ovid's Heroides, a catalogue of letters by women who have been deserted, has too frequently been examined as merely a lament. In a new departure, this book portrays the women of the Heroides as a community of authors. Combining close readings of the texts and their mythological backgrounds with critical methods, the book argues that the points of similarity between the different letters of the Heroides, so often derided by modern critics, represent a brilliant exploitation of intratextuality, in which the Ovidian heroine self-consciously fashions herself as an alluding author influenced by what she has read within the Heroides. Far from being naive and impotent victims, therefore, the heroines are remarkably astute, if not always successful, at adapting textual strategies that they perceive as useful for attaining their own ends. With this new approach Professor Fulkerson shows that the Heroides articulate a fictional poetic, mirroring contemporary practices of poetic composition.

Epistolary poetry, Latin --- Women in literature --- History and criticism --- Ovid, --- Authorship in literature. --- Books and reading in literature. --- Heroines in literature. --- Intertextuality. --- Love-letters in literature. --- Mythology, Classical, in literature. --- Women authors in literature. --- Women in literature. --- History and criticism. --- Technique. --- Authorship in literature --- Books and reading in literature --- Heroines in literature --- Intertextuality --- Love-letters in literature --- Mythology, Classical, in literature --- Women authors in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Criticism --- Semiotics --- Influence (Literary, artistic, etc.) --- Heroines --- Nasó, P. Ovidi, --- Naso, Publius Ovidius, --- Nazon, --- Ouidio, --- Ovide, --- Ovidi, --- Ovidi Nasó, P., --- Ovidiĭ, --- Ovidiĭ Nazon, Publiĭ, --- Ovidio, --- Ovidio Nasón, P., --- Ovidio Nasone, Publio, --- Ovidios, --- Ovidiu, --- Ovidius Naso, P., --- Ovidius Naso, Publius, --- Owidiusz, --- P. Ovidius Naso, --- Publiĭ Ovidiĭ Nazon, --- Publio Ovidio Nasone, --- Ūvīd, --- אוביד, --- Ovid --- Arts and Humanities --- History --- Epistolary poetry, Latin - History and criticism --- Ovid, - 43 B.C.-17 or 18 A.D. - Heroides --- Ovide (0043 av. J.-C.-0017). Héroïdes --- Poésie élégiaque latine --- Ovide (0043 av. J.-C.-0017) --- Mythologie classique --- Femmes --- Héroïnes (littérature) --- Personnages --- Dans la littérature